One potato, two potato, three potato, four, five potato, six potato, seven potato, more…
Looking out at the allotment this afternoon, the childhood ditty running through my head takes on a wry mocking tone and I wonder what possessed me to plant over half the beds with potatoes in the spring. I know the answer – the exhilaration brought on by having access to more growing space mixed with a fear of empty beds; two issues that need to be addressed if we’re to have a more balanced diet next summer.
Until last year, our growing spaces had been modest – a range of pots and three fairly small raised beds. I’ve planted potatoes in the ground and in containers over the years, but found that in the ground they took up nearly half the available space, even for a few plants and when I moved to containers, the yield, more often than not, was rather disappointing. So I swapped to growing salad leaves, cut flowers, soft fruit and chillies in the garden, alongside more unusual fruit and vegetables, and was rewarded with greater variety and better cropping. Potatoes – it seemed – were a crop better bought than grown.
But I never quite forgot the joy of growing the versatile, humble potato. This year’s empty spring allotment beds offered the opportunity to grow potatoes on a larger scale, maybe even to try more than one variety at a time (oh, the vegetable excitement!), so I began with my namesake ‘Nicola’, kindly supplied by Kings Seeds, and then added ‘Swift’ and ‘Jazzy’ in an impulsive seed potato buying frenzy that transformed the spare room into a chitting plant.
One advantage of an excess of potatoes is their ability to suppress an excess of weeds, and we have used the potato’s ground cover potential to its maximum this year. In one bed, potatoes helped to subdue overly-enthusiastic Jerusalem artichokes, whilst elsewhere they tamed annual weeds with ease. Only one bed, heavily entangled with bindweed roots, was outside the potato’s capable powers. Once we’d dug this area as best we could, we laid black polythene and planted potatoes through holes in the membrane. In any other year, I think this would have yielded good results, but unfortunately the scorching weather earlier in the growing season proved too much for the potato foliage, which was quickly scorched from beneath. The plants have still provided us with potatoes, but certainly in smaller quantities than if the foliage had had longer to develop, although this could be seen as a blessing under the circumstances…
The other beds have been more productive and last month we started harvesting, sharing our mammoth crop with family and friends. But my ambitious plans to harvest early and add late crops like courgettes and beans have been less successful. Submerged beneath design projects and writing work, I harvested later than planned and realised there are only so many potatoes a family can consume over a matter of a few weeks. Digging up the crop and storing seemed counter-productive as I find first and second early potatoes store better in the ground. So there they stayed and the late crops had to be squeezed into hasty gaps.
In early April, the flourishing potato foliage filled the allotment with its satisfying presence, but by early August this had become a stifling monocultural insipidity.
Unfilled ground: unfulfilled potential – looking at the empty beds in early spring, ten times as much space as we’d ever had before, I had an overriding desire to fill it all, urgently, in case the opportunity was lost. As potatoes fill large areas relatively quickly, early in the season, they seemed an ideal choice. In retrospect, it would have been better to have left more empty ground, employed my usual methods of crop rotation and waited until later crops were ready – perhaps sowing quick to mature vegetables like salad leaves and radishes in the interim. So my resolutions for the new growing year are as follows:
- to temper my potato impulses with a dash of common sense
- to plan realistically – taking account of work load/time pressures and their impact on my time on the allotment in the summer season
- to co-exist calmly with empty ground, or at least plan to use green manures and quick crops to avoid panic leading to an unintentional monocultural regime
In Other News…
The cutting patch is now producing an abundance of floral delights for the house and for drawing and watercolouring – dahlias, gladioli, rudbeckia, cosmos, salvia, cerinthe, didiscus and more. After an extremely prolific spring season with daffodils and tulips in every room for a few magical weeks, the success of the summer flowers means the cutting patch has earned a permanent place in the allotment.
The perennial bed is also thriving. Yacon, Daubenton’s kale, marsh mallow and sea kale have been added to the rhubarb, raspberries, currants, gooseberries and oca (not strictly perennial, but living happily alongside its hardier neighbours). In the garden I’ve planted Causasian spinach, hardy ginger, earth chestnut, perennial onions and spring onions to observe them and decide where they’ll thrive in the allotment in later years.
If flowers, fruit and perennial vegetables seem like an afterthought, lagging far behind potatoes in my allotment tales, it’s because this year they were. It’s an inequality I didn’t plan and don’t intend to repeat. Next year’s plans will include potatoes – for homemade chips, boiling with mint, thickening chowders, frying with spices and adding to Spanish tortilla, but I’ll be curbing any impetuous impulses and filling the allotment with timely crops, manifold crops, rotated crops – celebrating the return to biodiversity and learning when to fill and when to leave space.
I’d love to hear about how you go about planning your allotment/garden planting and how you use space to maximum effect. Do leave me a comment below – any suggestions and advice gratefully received 🙂
If you’d like to follow the blog and read more my allotment and garden, including more detail in upcoming posts on flowers for cutting and more unusual vegetables, you can subscribe below – thanks very much and happy gardening…
We took the kids to RHS Tatton Park this year and they thoroughly enjoyed the children’s activities – decorating plant pots, studying butterflies, sky-riding on the big wheel and learning about the history of the site on the discovery trail. But when my 8 year old asked to explore the floral marquee (it had been his idea to accompany us in the first place) and began to hunt for genera which he particularly wanted to see, I saw the enthusiastic stirrings of a thirst for botanical knowledge which inspires me in all of my work. His favourites were the hostas and cacti – he liked the variation in foliage colours of the hostas and the different shapes and arrangements of the spines on the cacti.
I love my hostas – which thrive in pots on the shady patio, dusky glints of copper tape visible beneath the corrugated canopy, and my cacti collection which I began last year in an attempt to recapture my youth – the nearest I’ve yet come to a mid-life crisis. But at Tatton this year, my eye was drawn to both bold and understated uses of colour in the planting palette:
1. Zantedeschia ‘Cantor Black’
I bought my first zantedeschia, or calla lily, just after Hampton Court in 2015, lured in by those aubergine spathes and the delicately speckled foliage. It was supposedly ‘Cantor Black’, but when the flamboyant funnel finally unveiled, the expected velvety soft blackness was actually a mild pink. This year I tried again and when my new calla lily opened this week it revealed the inky throat and luscious sheen I’d been hoping for.In the floral marquee, Brighter Blooms presented a striking display of calla lilies – looking dramatic en masse with wide swathes of purples, whites and pinks. As usual I preferred the deeper colours – ‘Cantor Black’ and ‘Picasso’ (a large, bi-coloured variety displaying white trumpets with purple veining and purple throats). It must be something about zantedeschias, as I’ve also grown this variety and instead of the eye-catching colour contrast, mine, once again, produced a pink (albeit rather lovely) flower. I grow my zantedeschias in pots on the patio which means I can bring them inside in winter out of the frost and, just as importantly, out of the wet. Unlike Zantedeschia aethiopica (Arum lily), the coloured zantedeschias don’t like to be too wet and favour well-drained compost in a sunny spot. I put mine out in late May when the danger of late frosts has passed, and wait for the inevitable pink flowers to appear!
2. Allium ‘Red Mohican’
It’s hard to believe what variety and interest stem from a flower which is, essentially, a purple ball on a stick. But alliums bridge the seasonal gap between tulips and the perennial summer stars, working beautifully alongside other early herbaceous flowers, adding vertical structure to evergreen backdrops such as box or grasses, as edging along a path or creating visual continuity when dotted throughout a border.
Alliums in the front and back garden
I love any allium where the purple blends with red tones – my favourite is the stately Allium atropurpureum. At the W.S. Warmenhoven stand (one of the 5 RHS Master Growers this year), amidst a wash of bees, I found Allium ‘Red Mohican’. This maroon-red drumstick allium with its tufty yellow flowers at the tips grows to 1m tall and would work well in borders or pots. I’ll be giving this quirky late spring-flowerer a try next year as I generally have to treat alliums as annuals due to my clay soil. Alliums thrive in free-draining soil in full sun and even with grit underneath the bulb, they struggle in my garden. But that does allow me to trial new varieties every couple of years, in a relatively small garden, so I’m not complaining.
3. Verbascum ‘Pink Petticoats’
Many verbascums have soft, dusky orange and peach flowers with subtle darker tones in the flowerbuds and centres which stop the colour becoming cloying. One of my favourites in our garden is Verbascum ‘Clementine’ with washed-out orange petals and a rich purple centre. It creates a lovely contrast planted amongst blue perennials like Perovskia ‘Blue Spire’ and Echinops ritro ‘Veitch’s Blue’. Verbascum ‘Pink Petticoats’ has delicately ruffled petals which I’d say were more salmon than pink. It makes a soft foil for purple flowers like these drumstick alliums and also blends well with the glaucous foliage in the background, so would combine well with eryngium, perovskia, artichokes (Cynara scolymus) and cardoons (Cynara cardunculus).
Striking Verbascum ‘Clementine’ and soft ruffles of Verbascum ‘Pink Petticoats’
4. Fatsia japonica ‘Spider’s Web’
Yes, I know I can’t count and that Fatsia japonica ‘Spider’s Web’ offers colour in its foliage rather than flowers, but I couldn’t resist adding it as its presence was everywhere at the show. I first noticed it in the cool basement of The Live Garden and then I struggled to find a display or garden with evergreen structure where the spreading white-flecked spider’s web fronds weren’t engaging in photo-bombing fun.
The Live Garden
I first used this Japanese aralia in a garden a few years ago and it offers a smaller alternative to the standard fatsia (‘Spider’s Web’ reaches 2.5m x 2.5m). It likes partial shade and the delicate white variegation helps to add light to these darker areas, especially when combined with other plants with white flowers or foliage, like Brunnera macrophylla ‘Looking Glass’ and Anemone x hybrida ‘Honorine Joubert’.
Fatsia japonica ‘Spider’s Web’ can be a bit of a marmite plant – but I love it
It was lovely to experience this last RHS show of the year with the family, rather than visiting with colleagues or by myself with a camera, notebook and pen for company. We returned today with two decorated plant pots filled with oregano and thyme nestled in the car door pockets and a shared sense that our family plant explorations are only just beginning.
There is a new category of show garden at Hampton Court this year – ‘Gardens For A Changing World’. Each garden considers a challenge of our times and creates a design which will address the issue and offer solutions. Both The Urban Rain Garden and Streetscape’s Holding Back The Flood consider water management issues, exploring ways of conserving our precious supplies and preventing flooding.
The youngest designer at the show, Will Williams (21) has created a symbolic garden which offers a way to prevent flood damage using alder trees (Alnus glutinosa) rather than relying on concrete barriers. The garden is inspired by the town of Pickering in North Yorkshire which was turned down for a twenty million pound grant despite its high flood risk. Needing alternative options and drawing on research from around the world, the inhabitants instigated a scheme to plant thousands of alders and create leaky dams to slow down and even prevent downstream flood water. If such lower cost, environmentally friendly and aesthetically sensitive options prove successful, it would be a positive way to approach the model predictions of a 35% rise in winter rainfall and a 25% increase in daily rainfall totals in some parts of the UK by 2080 (source: The role of woodland in flood control: a landscape perspective).
Another community aspect to this design was the construction team – all from Streetscape‘s team of landscape garden apprentices. As a social enterprise company, Streetscape provides apprenticeships for 18-25 year olds, helping them to build the skills, experience and attributes they need to fulfill their dreams and move into and retain work. This must have been a complex build with 52,000 litres of water to contain and nine alders to plant, but it all looks effortless and peaceful, showing the calm beauty of this ingenious, age-old water management system.
As well as its beauty, the woodland approach to water management also scores highly on sustainability. Will has included miniature saplings around the garden to show how the alders would gradually spread to create a self-supporting ecosystem. The alders can survive up to three weeks submerged in deep water and even longer in boggy ground whilst the flooding recedes. As our climate changes over the next few decades, the research undertaken by organisations like the Forestry Commission, flood prevention schemes such as the one in Pickering and gardens like Will William’s all help to investigate practical solutions to an increasingly important issue.
The Urban Rain Garden also offers solutions to flash flooding, but this time within a domestic setting. I liked the realistic scale of the front and back gardens in this design – allowing visitors to imagine how the raised borders might work in a real setting.
Designer Rhiannon Williams completed her Masters Degree in Landscape Architecture last year and has a keen interest in the subject of sustainability and water management. She explained that she designed the raised planters to step down in order to take water away from the house. As the water drains from planter to planter, the moisture levels reduce and the planting reflects this.
The water runs off the roof via downpipes and metal chains
In the planters nearest the downpipes, Rhiannon has included marginal plants such as the corkscrew rush (Juncus effusus), rough horsetail (Equisetum hyemale), arum lily (Zantedeschia ‘Crowborough) and Apache beads (Anemopsis californica) which will cope with raised water levels in periods of flash flooding.
As the planters continue and become drier, the planting changes, moving from hostas (‘Devon Green’ and ‘Purple Heart’) to brighter perennials like sea holly (Eryngium ‘Big Blue’), Agapanthus ‘Navy Blue’, Salvia ‘Caradonna’, ‘Blue Note’, ‘Amistad’ and ‘Ostfriesland’, and Achillea ‘Anthea’.
In times of heavy rainfall, water reaches the end of the bed system and drains into a tank beneath the garden where it can be stored to use in future times of drought. In this way the garden addresses the two key issues which are likely to become even more important over the next few years – flooding and drought, offering practical solutions in a realistic garden setting.
Holding Back The Flood and The Urban Rain Garden demonstrate ways in which gardeners and communities can use innovative, yet practical water management techniques to deal with flooding and drought. In a world where we are increasingly needing to address the challenges posed by climate change, ‘Gardens For A Changing World’ offer new ideas and solutions to give us inspiration and hope for the future.
If you’d like to read more about the RHS Hampton Court Gardens 2017, my other articles include:
and you can follow my blog below. Happy gardening 🙂
The RHS Kitchen Garden
What a great sign that the flagship garden at RHS Hampton Court this year is a kitchen garden. I’m excited by edible gardens of all shapes and sizes and like nothing better than to spend an afternoon pottering round an extensive walled kitchen garden in the sunshine, reading the labels and dreaming about having my own walled garden and team of gardeners to maintain it. However I, like most people, have a much more modest garden which also has to accommodate a shed, bins, BBQ, children’s toys and a washing line. And what if your garden is a small patio or even just a windowsill? What if you have no area upon which the sun smiles for six hours of the day? Will kitchen gardening remain a beautiful dream?
In the RHS Kitchen Garden, Juliet Sargeant explores different ways to grow fresh food in small spaces and in cost-efficient ways. This is a garden bursting with ideas, designed to inspire with simple labels throughout explaining the thinking behind the planting. Whether it’s reusing an old fish tank, building a simple compost bin or munching on your shrubs, there are ideas here for everyone to take home…
1. Plant a Living Wall
Vertical space is used in different ways in the garden. I loved this edible bench with its mix of viola, sage, curry plant, parsley and oregano. In reality, few of us are likely to have an entire outside bench covered in edibles. More achievable are the inexpensive hanging pockets which can be attached to the wall and filled with edible plants. I liked the way a variety of greens are used here with the silvery curry plant (Helicrysum italicum), dark sage and bright green parsley. The white and blue violas add a sprinkle of colour and their petals can also be used in ice cubes, on salads or crystallised in cakes.
This storage unit looks great and something similar (possibly smaller) should be fairly easy to buy or construct and then treat with weatherproof paint, although a piece constructed specifically for outdoor use would no doubt have a longer life. In fact, I’m tempted to throw the children’s toys out of our similar unit and relocate it on the patio as a way of gaining more planting space in the garden!
This runner bean wall is another way to capitalise on the vertical space against a sunny wall. With wires between the top and bottom frames, the beans can very quickly cover the wall and could be planted in pots or the ground. A simple cane structure could also be used, although this metal frame would be strong and durable, and could be removed in the winter months. For added variety, the beans could be interspersed with morning glory (Ipomoea purpurea), black-eyed Susan (Thunbergia alata) or sweet peas to add (non-edible) annual colour to the display. This method of growing could also be used with peas or even courgettes, cucumbers and squashes, which love to climb and welcome the extra sunshine accessible in an elevated position. In this way, crops can be grown which otherwise might struggle for space in a small garden.
2. Grow Meals in Pots
Container edibles are so accessible for small gardens and community spaces, with the only drawback that they require more watering than crops in the ground. I love growing herbs for teas – lemon verbena, a range of mint, lemon/lime balm (which can cope with some shade), scented-leaved pelargoniums and bergamot. These meal pots are fun for children to grow and provide a delicious small space solution to growing edibles. It could be taken even further with a small tray of pots growing chillies, lemon grass, mint, chives, salad leaves or basil, for simple summer meals and hot drinks or iced infusions.
3. Make a Simple Brick Compost Bin
This compost bin is stylish and easy – designed to grow over time
If there’s no room for a traditional compost bin or the idea of a plastic bin is unpalatable, Juliet offers an alternative in this brick circular compost bin. If you have spare bricks lying around or can get some through a recycling site like Freecycle, this could be a cost effective way to start composting. Best of all, its temporary nature means it can be relocated easily once the compost is ready to use.
4. Colour Your Veggies
I’ve always been fascinated by colour in edible planting. This kitchen garden uses both colourful vegetables like the blue cabbages, chocolate millet, rainbow chard, purple kale, kohl rabi and pak choi interplanted with vibrant flowers – edible calendula flowers and dahlias (whose roots are the edible part – although not all varieties are said to taste good). In particular I loved the combination of dark Redbor kale with Dahlia ‘Bishop of Leicester’ with its deep purple foliage and soft pink blooms – no flowerbed could be more beautiful to my eyes.
5. Use Aquaponics
The aquaponics crops looked delicious
I knew very little about aquaponics, so it was interesting to talk to Emerald from Aquaponic Life, a Community Interest Nonprofit Company, who had set up this section of the garden. She told me that aquaponics are a viable option for small gardens or even indoor fishtanks. The closed-loop system involves using the nitrogenous waste excreted by the fish to provide nutrients for the plants which are grown hydroponically (in water without using soil). The plants, in turn, filter the water, which is returned clean for the fish. This continuous cycle uses 90-98% less water than conventional methods. Aquaponic Life run courses in their home town of Brighton to train people about how these systems can be used in homes and gardens. The company is currently crowdfunding to develop their home aquaponics system so that more people can use this sustainable method of food production. They also hope to develop their work in school and universities, and create an urban farm in or near the centre of Brighton as a teaching resource to help put food security back into the hands of families and communities. I will be watching and supporting their progress with interest and if we acquiesce on the pet front with the children next year, maybe Tilapia will be our pet of choice.
6. Munch on Petals
If you’re going to interplant flowers and vegetables/fruit in a kitchen garden bed, why not use edible flowers to extend the range of crops? Alternatively, your existing garden flowers can provide decorations and salad ingredients throughout the year. In the RHS Kitchen Garden, Juliet has included a colourful flowerbed to attractive pollinators, with the added advantage of using edible flowers. Dianthus, agastache, lavender, calendula, hollyhocks, and campanula are amongst the edible flowers in the garden. We also grow borage and nasturtiums in the vegetable beds to bring in the insects and provide edible flowers for the kitchen.
7. Use Straw Bales
This is an idea I’d like to try out on my allotment next year
This is a new one on me, although I have heard of straw bales being used at the allotment to create hotbeds. Juliet has planted strawberries and melons in compost within the straw bales. I particularly liked the melon ‘Ogen’ which is grafted onto courgette root stock so that it can tolerate the UK climate better. Seeds can even be sown onto bales if a 5cm layer of compost is added first and with the extra heat created, crops like melons are more likely to be successful on straw than in the ground. The only concern I’d have about using straw bales is the possibility of herbicides or in the straw. One solution would be to use organic straw or to investigate the provenance of your material before you use it.
8. Eat your trees and shrubs
With well over 2,500 edible plants across the world, the UK relies on perhaps twenty main crops, ignoring thousands of others which would grow in our climate. Trees and shrubs are a good example, with many common indigenous and non-native species offering food which we choose not to use. Elderflowers and berries, young lime (Tillia cordata), silver birch (Betula pendula) and beech (Fagus sylvatica) leaves, mahonia berries, fuchsia berries and rowan (Sorbus aucuparia) berries (cooked in jams) are all examples used in the garden, although if you have found a fuchsia berry which tastes delicious on cereals without the astringent aftertaste which I so dislike, please do let me know.
9. Try more unusual plants
I love trying out new edibles – both to see how they grow and to experiment in the kitchen. Some of my new acquisitions this year include hardy ginger (Zingiber mioga with edible young shoots and flowerbuds) and Caucasian spinach (Hablizia tamnoides with spinach-like leaves). Juliet has included bamboo, hostas, daylilies and ferns in her garden with useful tips on growing and cooking with them on the labels.
10. Use herbs as ground cover
Make thyme for herbs
Herbs have so many different uses in the garden – I use them as hedges, in my green roof and for scented ground cover. In this garden both thyme and rosemary are used to cover the ground beneath the trees. As well as looking good, they bring in pollinating insects and provide leaves for stews, soups and marinades. My favourite ground cover herbs are the woolly thyme (Thymus pseudolanuginosus) and chamomile (Chamaemelum nobile) in my gravel path, as they seem pretty indestructible, drought tolerant (once the chamomile is established) and soften the hard edges of the stepping stones with their delicate leaves.
11. Grow dwarf fruit varieties
If it’s too big don’t despair – just choose a dwarf variety
Kitchen gardens have been using dwarf varieties for centuries, but their are still new crops being developed to increase the range of plants available to the small scale gardener. Mulberry Charlotte Russe is the latest example, offering a dwarf shrub (growing to about 1.5m) where other Mulberries would be well beyond the scope of most small gardens. It won the 2017 RHS Chelsea Plant of the Year award and is capable of fruiting in its first year. I have heard reports that the fruit taste is disappointing, but can’t comment as mine was devoured by the slugs in its first few weeks. It is now recovering in the greenhouse, but I’ll need to wait until next year to join the taste testing.
12. Celebrate the shade
Most traditional vegetable benefit from at least six hours of sunshine during the growing season. However, there are exceptions and some more unusual crops which will cope with shady areas. Hostas and ferns are good examples, alongside the more conventional salad greens, Swiss chard, beetroot, kale and pak choi. If the shady area is under an established tree, try creating a raised bed to give added soil depth or planting in seasonal containers.
Do you have any other top tips for creating a practical, modern kitchen garden? Have you found any of these ideas successful? If so, I’d love to hear from you. Please leave me a comment and happy edible gardening.
If you’d like to read more about edible and sustainable planting at Hampton Court, check out my post on London Glades: Forest Garden Solutions For Urban Spaces at RHS Hampton Court Flower Show and follow my blog as I experiment with all manner of fruit, vegetables and herbs…
Dogwooddays does not take any responsibility for any adverse effects from the use of plants. Not everyone reacts positively to all edible plants or other plant uses. Always seek advice from a professional before using a plant medicinally.
Sitting on top of the flowery mound with my bare feet in the chamomile I could be on a woodland hilltop, but beyond the medlar and hawthorn the bustle of Hampton Court Flower Show is just visible. What Jon Davies and Andreas Christodoulou of Future Gardens have achieved with London Glades is a space which excites the senses whilst calming the soul. Designed for a client who wants to re-engage with nature in a beautiful and wild setting, this garden creates a quiet sanctuary in busy urban surroundings. Almost every plant is edible and most are perennial and low maintenance, relying on the surrounding ecosystem for support.
Jon told me they were inspired by Martin Crawford‘s forest garden in Devon and also the permaculture practised by Masanoba Fukuoka in Japan. London Glades feels like a botanical library of fascinating plants in a magical setting – from the shady planting of shuttlecock ferns (Matteuccia struthiopteris) with their edible newly-emerged fronds to the hilltop grasses and meadow flowers which were attracting the damselflies and hoverflies; the whole garden has a sense of being in the moment. Jon has purposely introduced some plants which are not at their best – some have gone over, others are not yet flowering, which creates credibility in a garden that values food production – from roots, leaves, buds and fruits as well as flowers – equally with aesthetics.
The raised areas of the garden are constructed in the German tradition of ‘hugelkultur’ which roughly translates as ‘mound culture’. This involves creating mounds of wood and green waste covered with top soil to mirror the components of the woodland environment. As the material decays it creates a consistent long-term supply of nutrients for the plants which last for twenty years or longer. Heat is created by decomposition, allowing a longer growing season and as the wood breaks down, soil aeration is improved, thus removing the need to dig the beds. Water is absorbed by the mounds and released in drier periods, so irrigation should not be required, except in long periods of drought and they also sequester carbon from the atmosphere. So the ‘hugelkultur’ element of the garden works alongside the creation of a self-sustaining plant ecosystem to minimise the need for human intervention whilst maximising the environmental benefits.
The detail in the garden is magnificent and deserving of the Gold Medal it achieved. The spreading canopy of limes, crab apples and quince creates dappled shade under which the edible crops of horseradish, strawberries, fuchsia, bettony, skirret, masterwort and wineberries are thriving.
On the mound, lychnis, monarda, oregano, rosemary, mint and chamomile add their aroma to the heady mix of damp woodland and warm hilltop scents.
Swales (carefully positioned ditches) collect water for the garden and are filled with moisture loving plants and logs growing shiitake mushrooms. Around the boundary of the garden is an edible hedge, providing berries and fruit for the client and food and habitat for wildlife. But it was the ground cover that drew me into the garden with an almost reverent feeling as I walked barefoot across the alternative lawn of heath pearlwort (Sagina subulata).
This delightful evergreen carpet can withstand fairly heavy footfall, tolerates drought or moist conditions, has tiny white flowers in later spring and early summer, and feels soft and springy beneath the feet. Around the margins, a tapestry of other intricate ground cover plants like Leptinella squalida with its tiny fern-like fingers, succulent white stonecrop, red clover and low-growing thymes provide miniature vignettes in which the higher planting layers recede, leaving only the magnified colours and textures of the forest floor.
The dense matrix of planting in London Glades gives the garden a vibrant energy. The visitor is encouraged to move lightly around the space, stopping to sit and relax on one of the large smooth boulders, the only non-plant material in the garden. As I sat, I considered the other reason I felt at home in this garden – there is clearly an educational mission behind London Glades – to show an alternative to the traditional kitchen garden, to showcase how forest gardening can provide sustainable, wildly beautiful, productive spaces in an urban setting, and to offer an alternative way for gardens to connect us with the landscape.
The message is conveyed subtly – at first glance the garden could appear to be a traditional woodland with just a few rhubarb and kale plants visible to the casual observer. However, London Glades offers practical ways to suit forest gardening to small, urban plots, using readily available plants and ingenious, yet traditional methods of landscaping and planting like ‘Hugelkultur’ and swales. Jon is hoping to relocate elements of the garden to Mind charity in Harringay, where it will no doubt continue to provide a peaceful environment and an educational resource.
Owning a garden like London Glades would certainly be an education, but it would be a gentle, life-affirming way to engage with the land and the sustainable, low-maintenance approach would allow the client to develop their stewardship of their garden. I like this soft approach to learning and have followed similar lines in my own ‘hidden allotment‘ front garden which uses similar plants to my neighbours’ gardens and appears to follow traditional ornamental design, but incorporates many edibles which forest gardener Stephen Barstow would call ‘edimentals’. Jon explained that clients would receive a bespoke book with the initial chapters explaining the thinking behind forest gardening and the second half offering recipes to help with harvesting and using the ‘gourmet’ ingredients which would be available in the garden throughout the year.
This would be an invaluable resource in a process of learning about the plants and how to make use of them. London Glades takes you on an edible journey of discovery through different habitats and plant ecosystems. The stewardship of such a garden would be certainly be an inspiring and fulfilling adventure.
If you’d like to read more about edible and sustainable planting at Hampton Court over the next few days and follow my blog as I experiment with all manner of fruit, vegetables and herbs, do subscribe below…
Dogwooddays does not take any responsibility for any adverse effects from the use of plants. Not everyone reacts positively to all edible plants or other plant uses. Always seek advice from a professional before using a plant medicinally.
On an incredibly hot morning this week, the only intrepid (stupid?!) visitors to brave the 30+ temperatures, my dad and I took a tour around Luton Hoo Walled Gardens to see the restoration work in progress. The garden and grounds of the Luton Hoo Estate were designed in the late 1760s by Lancelot ‘Capability’ Brown for John Stuart, 3rd Earl of Bute, former Prime Minister and unofficial director of the Royal Botanic Garden at Kew. At the time Luton Hoo was second only to the Kew in its splendour and Lord Bute’s garden added to his reputation as a key botanist and horticulturalist of the age. By the 1980s the garden had fallen into decline (despite being restored and developed with glasshouses added in the Edwardian period). Large areas were completely overgrown to the extent that the established apple orchard at the far end of the garden had disappeared from view.
The walled garden is a 5 acre site with an additional 5 acres outside the walls known as ‘The Slips’ comprising outhouses once used as potting sheds, gardeners’ quarters, boiler houses and other working buildings. In addition to the buildings, Capability Brown and Lord Bute planted trees to act as a shelterbelt and installed pumps and a complex irrigation system to service the walled garden. There was also an orchard, peach house and cold frame area outside the garden in the area which is now the car park. In 2001, a restoration programme began which saw the garden open to the public in 2007. It is run by a team of around 50 volunteers with only one employed gardener – the Head Gardener – who works four days a week.
The volunteers are slowly restoring the gardens to a productive state – there are fruit and vegetable areas, cut flower borders, a wedding marquee from which all proceeds go back into the garden fund, rose borders and a fabulous cacti and succulent collection in one of the old glasshouses.
Specimens from the cacti and succulent collection
The intention isn’t to create a historical reconstruction of any one period from the history of the estate, but rather to create a productive space which develops the skills of individuals, involves the community and offers a beautiful garden for exercise and relaxation. In the past, the garden was a place where young boys and apprentices were taught horticultural skills and later in World War II it was used by the Women’s Land Army with Land Girls working in agricultural roles on the estate. So the current programme with local schools and classes for children in the holidays, continues the education role of the garden.
Volunteers are also involved in researching the history of the garden and have uncovering much new information, for example, the fact that it was a Capability Brown garden was only recently discovered. They are also involved in restoring elements of the garden from the old walls which are unsound in places, to the glasshouses and the agricultural machinery which has been found around the estate. Unfortunately, without significant funding the majority of the glasshouses look set to remain unsafe for the foreseeable future, at least until the 15 million required to undertake restoration work can be raised.
The planting in the walled garden has been designed with sustainability in mind – it uses mainly drought-tolerant plants and watering is kept to a minimum. Chemical pesticides and fertilisers are avoided and machinery is rarely used, except to cut grass. This means that the produce from the garden, much of which is sold to residents of the estate, is free from chemicals.
The garden is open to visitors from 10.30 – 4 on Wednesdays from the beginning of May to the end of September. I felt the £5 entry per person, which goes to support the work in the garden and includes a excellent tour with a knowledgeable volunteer, was good value and I enjoyed the whole experience. Much of the garden’s interest lies in its history and this is celebrated throughout the tour with information about the different stages of development and visual cues in the planting and displays in the outhouses.
I particularly liked the perennial/annual borders and the cutting garden with its sweet pea bed, salvia border and mixed cool border. All in all, this was a fascinating (if sweltering) visit and I’ll definitely go again, both to attend the summer children’s workshops and to visit next year to see how the restoration is progressing.
For more information about the garden, opening times, events and volunteering, go to the Luton Hoo Walled Garden website.
The Rose Border at its best this week with ‘The Generous Gardener’, ‘The Pilgrim’ and ‘Tess of the D’Urbervilles’
Dark, purple foliage draws me in to a garden, especially when it creates moments of stillness to punctuate an otherwise green border, so Sambucus nigra is one of my favourite shrubs, with its filigree lace leaves and deep luscious colour. The name Sambucus is derived from the Latin ‘sambuca’ which was the name of an ancient instrument made out of elder – often described as a small triangular harp of shrill tone, although it was also used to make pipes or flutes. Elder tubes (the wood with the pith removed) were also used as bellows to blow air into the centre of fires and this gave the elder its common name with ‘aeld’ deriving from the Saxon for ‘fire’.
So the genus makes reference to the plant’s heritage providing wood for music and fire-lighting, whilst the species ‘nigra’ makes reference to the black colour of the foliage and berries. However, the form (a subdivision in plants that suggests a plant having a minor variation to the species, such as leaf colour, flower colour or fruit) is ‘porphyrophylla’ from the Greek ‘porphyra’ meaning ‘purple’ and ‘phylla’ meaning ‘leaf’. So the plant is defined by having both purple and black characteristics in the species name and form.
Finally ‘Eva’ is the cultivar name (the plant is also often referred to as ‘Black Lace’). Both ‘Eva’ and the closely related ‘Gerda’ or ‘Black Beauty’ which has pinker, more highly scented flowers, arose from experiments carried out into gene flow by an East Malling researcher, Ken Tobutt, in the mid 1990s. The two cultivars were introduced in 2000 and were awarded AGM (Award of Garden Merit – the RHS seal of approval indicating that they perform reliably in gardens). Both ‘Eva’ and ‘Gerda’ offer the darkest Sambucus foliage which doesn’t fade, unlike other previously popular cultivars. I can’t find any information about the choice of names – maybe these Nordic names have a significance related to the origin of the plant, or maybe they were simply named after Ken Tobutt’s cats. If you know more than I do about the relevance of the cultivar names, I’d be fascinated to hear from you…
Sambucus nigra f. porphylophylla ‘Eva’ has one final gift to offer in addition to its attractive foliage and airy flowerheads (which can be used to make delicious pink elderflower champagne, wine or cordial), namely, its berries. They are loved by birds – so if you are creating a wildlife-friendly garden or border and want a shrub which will perform well, create impact and bring in pollinators and birds throughout the summer and autumn, then ‘Eva’ is a good choice. It grows rapidly, but can be cut back hard to restrict its growth and it will reward you with years of beautiful foliage at the back of the border.